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It's the socio-politics that make this play much more interesting... For running in the background, almost like a series of Wagnerian leitmotifs, is the evolution of Southern racial politics some twenty years after the 1965 Civil Rights Act.Terry Ponick, DC Theatre Scene

A TIME TO KILL [world premiere]

By Rupert Holmes
Based on a novel by John Grisham
The Arena Stage 2011

Sets - James Noone
Lights - York Kennedy
Costumes - Karen Perry
Sound - Lindsay Jones
Compositions - Lindsay Jones
Fight Choreography - David Leong